James Baldwin and the art of Listening

“Perhaps home is not a place but simply an irrevocable condition.”

― James Baldwin, Giovanni’s Room

” Listen also to what is not said. It is a listening not just with your ears- though ears are a fine thing- but listening with your whole body, with your heart and the hairs on your arms and the small toes of your feet. Try doing it this way, when you read James Baldwin, one of our great American writers, out loud: “ (Old Friend from Far Away, pg. 27)

“On the 29th of July 1943, my father died…
(reading from Notes of a Native Son James Baldwin Full Audiobook mixed with old radio recordings from 1943 and other found sounds. mixed by Si Matta)

Listening to the sound of words in my brain tossing with the gusts of wind blowing south through the San Luis Valley, hitting the house in waves like a chorus for the sonnets rattling in my bones.

{Here alone, listening to what is not said in the daily search for clarity, divinity, or, just a padded cell far away from the prying eyes of gossip and social reproach.}

No matter the criteria for a forced hermitage, the silence can be deafening, a meditation to madness, and/or the peace that always seemed so elusive and out of reach-, like soft dust in the mesa wind, fleeting like fathers, and like Baldwin I understand that father wound. Fueling pen and therapy bills.

“I often wonder what I’d do if there weren’t any books in the world.”

— James Baldwin

A good book can grip you like that, old memories, kitchen sink, shadowboxing someone else’s story. A good book is a hustle, and a grift with reality, a dance with the matrix programmed by others vulnerabilities and tastes. Like a home, a good book can trap you.

{I listened with my organs,
straining through black
tar tobacco smoke
and words
shoved
down
throats,
spoken
in rooms
that didn’t
deserve
me.

“Don’t you know me dad,
I’m your native son”}

death sinks uneasy in the appetites of the lost

“Sleep apnea is a plague in the western world.”
― Steven Magee

She passed out in
a cacophony of memories.
All the pretty dreams,
Dissected and worn.

She fell asleep to
the sound of old records.
All the pretty covers,
Creased and torn.

She curls her lips
to the worlds she dreams.
All the murmured words,
Bathed with scorn.

She walks unaware of
the stilts of gravity.
All the heavy faces,
Draped and creased.

A mask now covers
her mouth, as her
eyes attempt the
words
of sleep.

Sometimes death sinks uneasy
in the appetite of the lost,
A ritual with
no rite.

It has been since time
that plagues feel the
urge to breath,
eyes blink uneasy
behind
concealed ironies.

© Si Matta

A silent reminder

Beneath the securities of good nights and safe houses, lived fear. Fear dressed in Existential fangs always sat at the outside waiting to get in. The sweet smell of apple pie and coffee seemed a good enough shield to the elephant that sat in at the edge of the room, flicker of flame and wax. Shadows have always lurked beneath the savory light of ‘everything’s fine if you send hopes and prayers.’ Then one day, everything changed. Not the flash of atomic light we dreamt of in cold war beds, terrified with nightmare, and the comfort of mothers floor. No, it changed the way you would expect a tad pole to become a frog, unseen but heard for miles across platforms of social distancing. The veil became thin, and the emperor ran across abandoned golf courses, naked and scared.

Photo: Patricia Halleran

Photo: Patricia Halleran


This had always been the dream, the liminal birthing canals connected to the ethernets of the universe, tearing illusion from its perch.. the Eagle remembered it was an Eagle and tore apart his jingoist ways, for a chance to taste the flesh of Salmon once again. The metaphors painted slow motion chrysalises, sparked from the time outside of time, where dream and awake fancy dance on early morning vistas.. or perhaps, it is the prayers of Ghost Dancers awaking the Ancestors for aid. The realist thing about this, is that it is not real. It is not matter. It can not cast shadow, or shine light, yet sits on the edge of hills, threading and weaving, a silent killer. A silent reminder….

Pay attention to what the frogs have to say, they may have all the answers we need.

Be safe. Be kind. Be gentle.

redemption from the plague

‘The vision, however new and culturally unique, is translated back into a traditional oral format: the new within the old, reflecting the tenacity of oral tradition.’
“Magic in the Mountains: The Yakima Shaman: Power & Practice”, by Donald Hines, 1993

Grandma Shirley and the songs of forgotten dreams/ Listen.

Grandma Shirley and the songs of forgotten dreams.

The stratosphere of my story is woven with so many American heartbreaks that my DNA seems permanently tuned to Patsy Cline’s “Fall to Pieces.” In these broken pieces, I’ve fought to carve out a sense of belonging—some place amidst the ruins of a well-fought war. My grandmother used to tell tales of family woes and heartbreak as if they were the very fabric of our shared ancestry.


Grandmother’s voice was golden—a place where she tucked away her secrets. She was a siren, luring you across a smoke-filled room with her sultry sadness and rough-around-the-edges charm. She found God in the holy waters of honky-tonks, at least until children and the rapture of everyday life claimed the sanctuary of her dreams. She traded in “Strange Fruit” for a father she thought she’d found in the dogmatic catacombs of Kingdom Halls. Still, she always shared that part of herself with me. She told the racy stories, grasping her hands like prayer, a nostalgic exhale slipping through the blinds. With me, she felt safe—a place to whisper her discontent with choices that turned her from the Old Ways of our blood. She saw the fire in me and tried to pass on the Ceremony. I ended up finding it myself. I found it in metal.


Laying down screams for my band, Cathartes Aura in 2019. [/caption]There’s resonance in the tonsils, a release of primal force summoned from the swamps of modern life. Here, a feral wind releases its shadow, storm clouds clash against the shores of volcanic words, and violent air rushes through smoke-strained cords. The buzz of amplified sound becomes a harbor for Armageddon, spinning chaos into a kind of bliss. The drums thump, quickening the trance—an anxious war waged on flesh and heart. This is what metal means to me: a padded cell of my own, where trauma is brought to the chopping block for visceral release.

When I was young, my world seethed with the wonder of nature—the gilded peaks draped in mist, ancient trees resisting the chainsaw’s hum, rivers meandering in dramatic silence as forests fell like rain. These landscapes were soundtracked by stereo speakers blasting Black Sabbath, by motorcycles, Iron Maiden, skateboarding, and punk rock. I’d listen to quaking mountains scream like thunderbirds in 4/4 time and distortion, summoning visions through a haze of psychedelic experiments. (I believe my ancestors used mushrooms as a kind of message in a bottle—or, more accurately, a cap.)

I felt the anger and confusion of being cut off from my ancestors and the spirit of place, forced to bow to an anemic god who never had our Mother’s best intentions at heart, feeding us a diet of forgetting. Old stories would rise up, speaking of days lost to the corpses of progress and manifest destinies, as sweaty bodies slammed together in a prayerful trance. It was redemption from the plagues—at least for a little while.


Check out our band, Cathartes Aura.

Siah | The Long Ago

The Cascade Range, where it crosses the Columbia River, exhibits enormous cross sections of lava, and at its base are petrified trunks of trees, which have been covered and hidden from view except where the wash of the mighty stream has exposed them. Indians have told me, of their knowledge, that, buried deep under the outpours of basalt, or volcanic tufa, are bones of animals of siah , or the long ago.

Where Gods live.

Where Gods live.

Traditions of the great landslide at the Cascades are many, but vary little in form. According to one account, the mountain tops fell together and formed a kind of arch, under which flowed, until the overhanging rocks finally fell into the stream and made a dam, or gorge. As the rock is columnar Basalt, very friable and easily disintegrated, that was not impossible, and the landscape suggests some such giant avalanche. The submerged trees are plainly visible near this locality. Animal remains I have not seen, but these Salmon-eating Indians have lived on the river’s borders through countless ages, and know every feature in their surroundings by constant association for generations, and naturally ally these facts with their religious theories. (MacMurray MS.)

An excerpt from ‘The Ghost Dance Religion and Wounded Knee’, by James Mooney, Chapter VII, Smohalla and his Doctrine

A Portal to the Gods

This is no ordinary Bridge! This is a Bridge that spans more than just 706 ft, it spans time itself. This spot, a vortex of memory, a portal to the Gods, a gateway to the mountains of fire.

Bridge of the Gods, 1926 & 2012.

Bridge of the Gods, 1926 & 1912.

As a child, I always thought it was funny that we would bridge the Gods via, a car. But as I got older, and I walked the span alone, the wind would rise and flap like a Thunderbird all around me, and I knew then why the Gods called this Home. I would look down, 140 ft below me, and see the old Cascade Rapids straining against the stagnant waters of the 21st century, as the Ancients laid in silent wait below. I knew why I called this Home, where water is blood, and Gods do roam.

Read the “Bridge of the Gods Legend” here: http://www.gatheringthestories.org/2013/10/20/bridge-of-the-gods/

Landscape of Visions

This is a photo of my hometown of Carson, Washington taken in the year 1925. The domed mountain in the right hand side is Wind Mountain. 10473063_1117725894905723_815477723240662057_oGrowing up, I could see Wind Mountain directly from my bedroom window. I would get lost in daydream, which is a pretty common occurrence for me, and wonder how my ancestors revered and interacted with this landscape. What was it about this mountain that made it holy or sacred? Was it because of it’s stand alone features in the middle of the Cascade Mountain range? Was is it because of the sacred mineral waters that bubbled and boiled in her shadows? Or, was it because it could have been where the actual land bridge, known as the Bridge of the Gods, could have crossed the mighty river? – And Who had the first Vision on her lofty peak? Was it Coyote?

Leaves Gather Their Breath

Leaves Gather Their Breath

The wind stands still
just for a moment
as the leaves
gather their
breath
before
the
long
descent
to
fertile grounds.

Immersed in cyclic
compost seeping
with mist.

the heat
of
Rebirth.

Leaves Gathering Their Breath | © H a v e n

Leaves Gathering Their Breath | © H a v e n

Mornings

The Stellar Jays raise up their chorus through the mists, beckoning the sun in the breaks of rain. Ravens rise with the Eagles as I sip my tea from the edge of the world, longing to dance. The slow hum of the wind winding up the canyons and valleys, washing the fresh rain upon the thirsty ground.

© H a v e n

© H a v e n

Where I come from, this is called church.

The Maker of Rain

The Maker of Rain

The maker of rain sits in front of a forgotten sun
spilling forth its solemn tears it cries-
the rhythm of it’s sorrows sings sad songs
lamenting the long day in sheets of gray hues.
the echoes of thunderous choirs
and winds that chant through forests halls-
in these shadows-
the maker of rain summons.

Maker of Rain | © H a v e n

Maker of Rain | © H a v e n