Siah | The Long Ago

The Cascade Range, where it crosses the Columbia River, exhibits enormous cross sections of lava, and at its base are petrified trunks of trees, which have been covered and hidden from view except where the wash of the mighty stream has exposed them. Indians have told me, of their knowledge, that, buried deep under the outpours of basalt, or volcanic tufa, are bones of animals of siah , or the long ago.

Where Gods live.

Where Gods live.

Traditions of the great landslide at the Cascades are many, but vary little in form. According to one account, the mountain tops fell together and formed a kind of arch, under which flowed, until the overhanging rocks finally fell into the stream and made a dam, or gorge. As the rock is columnar Basalt, very friable and easily disintegrated, that was not impossible, and the landscape suggests some such giant avalanche. The submerged trees are plainly visible near this locality. Animal remains I have not seen, but these Salmon-eating Indians have lived on the river’s borders through countless ages, and know every feature in their surroundings by constant association for generations, and naturally ally these facts with their religious theories. (MacMurray MS.)

An excerpt from ‘The Ghost Dance Religion and Wounded Knee’, by James Mooney, Chapter VII, Smohalla and his Doctrine

Matriarch of the Cascades

“Mary was born at the Cascades in 1854, in the “Moon of the Falling Leaves”, October. Many Indians did not know what year they were born, much less the month and day.

Grandmother.

Matriarch.

Mary’s mother was Susan, a member of the Wishram tribe. Her father was Tomalth. * (Amanda pronounced it “Tum’uth”.) He was the 6’4″, red-haired chief of the Cascade tribe of Chinook Indians.He was the son of Chief Stilgat of one of the tribes at the mouth of the Columbia River.

Mary was only eighteen months old at the time of the Battle of the Cascades, in March 1856. After her father was hanged by order of the U. S. Army, Mary went with her mother and other family members back to the Wishram village.

In the 1870′s, as the young widow of Henry Will-wy-ity, a Wishram Indian, she traded a team of horses to Kenzy Marr for 160 acres of his donation land claim at Marr’s Landing. Here, at the end of the present lndian Mary Road, her brother built for her a nice wooden cabin.”

Read more about our Grandmother, Kaliah Will-wy-ity, here at my Cousins webiste: https://chieftumulthtreatysigner.files.wordpress.com/2016/03/skamania-historical-society-pamphlet-on-indian-mary-written-by-ida-williams-altringer.pdf

Also, check out this site for more info pertaining to our heritage as Watɬlala Band of Chinuk (Cascade Indians): https://chieftumulthtreatysigner.wordpress.com/

Old photo shows "Indian Mary" Stooquin, right, with daughters and a friend. From left is Nellie Arquette Miller, 18, a friend; Amanda Williams, 14; Abbie Reynolds Estrabrook, 7; and Mary Will-wyity, 40. Photo taken at Moffett's Hot Spring about 1894.

Old photo shows “Indian Mary” Stooquin, right, with daughters and a friend. From left is Nellie Arquette Miller, 18, a friend; Amanda Williams, 14; Abbie Reynolds Estrabrook, 7; and Mary Will-wyity, 40. Photo taken at Moffett’s Hot Spring about 1894.

A Portal to the Gods

This is no ordinary Bridge! This is a Bridge that spans more than just 706 ft, it spans time itself. This spot, a vortex of memory, a portal to the Gods, a gateway to the mountains of fire.

Bridge of the Gods, 1926 & 2012.

Bridge of the Gods, 1926 & 1912.

As a child, I always thought it was funny that we would bridge the Gods via, a car. But as I got older, and I walked the span alone, the wind would rise and flap like a Thunderbird all around me, and I knew then why the Gods called this Home. I would look down, 140 ft below me, and see the old Cascade Rapids straining against the stagnant waters of the 21st century, as the Ancients laid in silent wait below. I knew why I called this Home, where water is blood, and Gods do roam.

Read the “Bridge of the Gods Legend” here: http://www.gatheringthestories.org/2013/10/20/bridge-of-the-gods/

Shell Rock and the Breaking of Taboo

From the Oregon State Archives “A 1940 Journey Across Oregon”:

“… SHELL ROCK MOUNTAIN, 136.9 m. (2,068 alt.), is opposite WIND MOUNTAIN, which is in Washington. The Indians believed that the Great Spirit set the whirlwinds blowing in constant fury about Wind Mountain as a punishment to those who, breaking the taboo, had taught the white men how to snare salmon. …”

My auntie, Virginia Miller's canoe in the shadow of Wind Mountain. Edwards S. Curtis photo.

My auntie, Virginia Miller’s canoe in the shadow of Wind Mountain. Edwards S. Curtis photo.

Landscape of Visions

This is a photo of my hometown of Carson, Washington taken in the year 1925. The domed mountain in the right hand side is Wind Mountain. 10473063_1117725894905723_815477723240662057_oGrowing up, I could see Wind Mountain directly from my bedroom window. I would get lost in daydream, which is a pretty common occurrence for me, and wonder how my ancestors revered and interacted with this landscape. What was it about this mountain that made it holy or sacred? Was it because of it’s stand alone features in the middle of the Cascade Mountain range? Was is it because of the sacred mineral waters that bubbled and boiled in her shadows? Or, was it because it could have been where the actual land bridge, known as the Bridge of the Gods, could have crossed the mighty river? – And Who had the first Vision on her lofty peak? Was it Coyote?

Real Indian

Real Indian
By my Auntie Teri Deras

Little boy
questions
‘Are you
a real
Indian?’
‘Yes!’ I
Patiently
say.

‘But you
don’t have
braids!”

I smile and
walk away
in my
Reebok moccasins.

C26F1DFB-7E34-44F0-9FAF-FD26E4DDBC97

Resilience | Confluence Project

Reposted from Confluence Project Please check out and support the work that they do!


Stories from the River is a series of documentary shorts produced in collaboration with Confluence, Tule Films and NW Documentary. These videos are here to support teachers as they work to bring Indigenous prospects into schools. They are also educational and inspirational to anyone curious to gain a more inclusive understanding of the Columbia River system. Filmmaker Woodrow Hunt (Klamath/Cherokee) of Tule Films produced this series with the support of the National Endowment for the Arts.

The theme of this video is resilience and survival. Four Native individuals talk about resilience, survival, river rights, and the fight for recognition.

In order of appearance:

Bobbie Conner, Cayuse/Nez Perce/Umatilla

Tanna Engdahl, Cowlitz

Greg Archuleta, Confederated Tribes of Grand Ronde

Mildred Quaempts, Umatilla

Lawetlat’la

The Cowlitz name for Mount St. Helens is Lawetlat’la, which roughly translates to “the smoker”, and on May 18th, 1980, I watched as she awoke and gave her smoke to the world. I was six years old, and have never been the same!
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I was six years old and bewildered by what I saw and felt that day. I could hear so clearly the call of my Ancestors and the Call of the Land. This was God, this was the true power of God. On this day, I became an Animist.

Photo info: These photos were taken by photographer John V. Christiansen at 8:32 a.m. local time on May 18, 1980. They were later featured in a 1981 edition of National Geographic magazine.

The shots were taken from Pahto (Mount Adams), looking across to Lawetlat’la (Mt. St. Helens) just over 50 kilometers away.

Thunderbird

Across many North American indigenous cultures, the thunderbird carries many of the same characteristics. It is described as a large bird, capable of creating storms and thundering while it flies. Clouds are pulled together by its wingbeats, the sound of thunder made by its wings clapping, sheet lightning the light flashing from its eyes when it blinks, and individual lightning bolts made by the glowing snakes that it carries around with it. In masks, it is depicted as multi-colored, with two curling horns, and, often, teeth within its beak.

This Thunderbird petroglyph rests at Horsetheif Lake in the east end of the Columbia River Gorge, in Washington.

This Thunderbird petroglyph rests at Horsetheif Lake in the east end of the Columbia River Gorge, in Washington.


Depending on the people telling the story, the thunderbird is either a singular entity or a species. In both cases, it is intelligent, powerful, and wrathful. All agree one should go out of one’s way to keep from getting thunderbirds angry.